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Marantz is a very frustrating company with which to
keep an unbiased view. Whereas Yamaha changes receiver models every
12 months and generally keeps ahead of the pack in terms of
technical gizmo's and whatnots, Marantz seems to rest on its laurels
for a couple of years then Whammo - it jumps to the top of the heap.
The old SR-7400 was never a real contender in the technical stakes,
it was outflanked by it's sister company (Denon) and the Yamaha
RX-V2500. Then the SR-7500 comes along, this is the first of a range
of receivers out of the new factory in China which produces both
Marantz and Denon. The quality doesn't seem compromised by the shift
in production (most of the older range was produced by Sherwood in
Korea) and apart from losing some individuality (you'll notice a lot
of shared components with Denon - both inside and out) it appears
well made and - so far - fault free.
So what's the big deal? - well believe it or not,
just the addition of a couple of extra component video inputs. A
small thing but a vital part of today's expanding systems. The old
model had two component inputs (as does the Yamaha, Denon etc.) and
the new SR-7500 has four. This may not seem much but to an
enthusiast it makes an enormous difference in terms of equipment
interfacing. Other features over the old model include automatic
speaker set up using the supplied microphone (no big deal), a Time
Base Correction video processing which (supposedly) reduces the
digital artifacts on fixed pixel arrays (I wonder what it does on
the 1024 X 1024 floating pixel systems of the Fujitsu panels) and a
video off mode for the audio purist.
Sonically, the SR-7500 has gained a
bit of dynamic range over its predecessor. The SR-7400 was a little
lay back which was great for most styles of music but was a little
lacking in the movie department in comparison to - say - the Yamaha
RX-V2500 which was the SR-7400's natural competition. The SR-7500
however, has gained some oomph in the output department and brings a
little more detail to the movie soundtrack. The difference over the
old model is only subtle but noticeable.
Our test rig for the review was a pair of Paradigm
Studio 100's (mains), CC470 (centre), 2 X Studio 20's (surrounds),
Yamaha YST-SW1500 Subwoofer and a Marantz DV-6500 Universal DVD.
Musically the 7500 was superb, playing our reference disc - Amanda
McBroom and Lincoln Mayorga's "Growing Up In Hollywood Town"
(Sheffield Lab CD-13) with all its fine detail intact. The
percussion on track 5 (Dusk) was particularly crisp with none of the
ho-hum lay back sound of some of the Onkyo and HK models. Even at
high volumes there was none of the strain on Amanda McBroom's vocals
that was evident when pushing the 7500's predecessor to the limit.
Surprising, especially since the new model is almost 4 kgs lighter
than the old one. So lets go to
the movies! T3 is the one to test the mettle of the receiver here.
The explosion during the opening credits generally gives us a good
idea of how loud we can go before distortion rears its ugly head -
the SR-7500 took it all in its stride, then the subtlety of sound as
the beer bottle as it falls into the water was distinct and in the
foreground. Centre channel vocals were well placed and cut through
the action occurring elsewhere within the sound stage. All in all,
the sr-7500 gave an excellent account of itself.
Perfect? - no bloody way. Nothing in this game is
perfect. The universal remote supplied with the unit refused to
learn my Foxtel Digital commands and the most annoying thing was the
inability of the receiver to output a subwoofer signal when playing
my DVD concerts in Dolby Digital 2.0. I know that technically, the
correct decoding shouldn't include the subwoofer - but if I want my
subwoofer thumping along to Steve Harley and Cockney Rebel Live, I
shouldn't be made to hook up the analogue outputs from my DVD Player
to do so. At least the Yamaha set up menu gives me a choice!
Apart from those misgivings, the Marantz SR-7500 is
currently the best value mid range A/V receiver available (RRP $2199
- 3/5/2005). Make the most of it Marantz, it's a volatile market out
there.
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